Description
“On the basis of the imaged traces of the form and its evolving transformations, Angelos Michaelides focuces in his works the attention of the beholder on the natural and allegorical functions of time, followed by the corresponding processes of the awareness and the memory and those of the reflexes and its changes, as well as the collective unconscious…” – Prologue, Athena Schina, Art Critic and Historian
